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Cursive Generator

Looped cursive

Continental Europe · 19th and 20th centuries

Characteristics

OriginContinental Europe
Era19th and 20th centuries
RegionGermany, France, Eastern Europe
Slantright slant
Loopsfully looped ascenders and descenders
Lead-in strokesentry strokes on lowercase
Joinsfully joined
Taught todayGerman and French school scripts

Rendered in Playwrite DE LA, the closest available approximation; instructional labels are generic descriptors, not curriculum brands.

Looped cursive is the fully joined Continental school hand in which every ascender and descender is a loop, so the pen never leaves the paper inside a word.

Letterforms

Every tall letter loops above the midline and every descending letter loops below the baseline: l, h, b, k and f above, g, j, y, z and f below, with e, l and the entry strokes forming small loops of their own. The letters lean to the right and start with entry strokes. The result is a line with no gaps and no sharp corners, which reads as a single ribbon of ink when written well and as a tangle when written badly.

Joins and lifts

Every lowercase letter joins the next, and in most looped models the capitals join too, so a whole word is one movement. The loops are the joins: the upstroke of a loop is the connector from the previous letter, and its downstroke is the letter's own stem. Dots and crossbars are added after the word, and the pen otherwise lifts only between words.

Where it comes from

The school scripts of France and Germany in the nineteenth and twentieth centuries, descended from the copperplate hands of the eighteenth, kept their loops when the American models were simplifying theirs. French cursive and the German school scripts are the living examples; this site renders the model in a German school face. Looped cursive is also what most people picture when they think of old handwriting, and reading letters and records from before 1950 means reading it.

Practising it

The loop is the whole skill: practise l and e until the loop closes at the same height every time, then h, b and k, then the descenders. Keep the loops narrow; a wide loop tangles with its neighbour. The French cursive and German cursive pages describe the school versions, and the reading old cursive guide covers the loops that trip modern readers.

Notes and references

  • Includes the German Schulausgangsschrift and French écriture cursive.

Frequently asked questions

What is the difference between looped and unlooped cursive?

Whether the ascenders and descenders are loops or plain stems. Looped cursive turns every tall and every descending letter into a loop, so the pen never lifts inside a word; unlooped models such as italic keep plain stems and use short diagonal joins. Looped cursive is faster at speed and harder to keep tidy.

Why does my looped cursive tangle?

Because the loops are too wide or close at different heights. Each loop should be narrow and should close where its downstroke crosses its upstroke, at the midline for ascenders and at the baseline for descenders. Practise one loop letter until its closing point is steady before writing words, and keep the slant consistent so neighbouring loops run parallel.

Which countries teach looped cursive today?

France, in the form of the standard school cursive on Seyès ruled paper, and Germany in its school scripts, among others in continental Europe. Most US and UK models have simplified or dropped the loops. The pages for French and German cursive give the details of each.